The catcher in an imaginary America: The perverse domestication of American reality in Krzysztof Zanussi’s Holden (1961)
Year: 2022
Type: article
Abstract: The year 2021 marked the seventieth anniversary of the publication of J. D. Salinger’sThe Catcher in the Rye, and the sixtieth of what is to date the only film adaptation of the novel. In 1961 the 22-year-old Krzysztof Zanussi made from behind the Iron Curtain, a short film entitledHolden, which referred directly to the novel’s characters and events. He did this despite Salinger’s ban on any form of adaptation of his work. The film, although faithful to the source novel, had a perversely Polish flavour. This article takes a translation studies approach to the discussion of how the specific sociopolitical circumstances in which the adaptation was made resonate in Zanussi’s picture. The focus is on the ways in which the concept of an imaginary America, so vivid and emotionally powerful among the Polish youth of the 1960s, determined the film’s narrative and domesticated the source text.
DOI: 10.1386/jafp_00080_1
Author: Jolanta Szymkowska-Bartyzel
Institution: Jagiellonian University
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W4322710696