Year: 2023
Type: article
Abstract: The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media devoted to the “factual” is being challenged in German theatre. The move to the “postfictional” involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.
Source: TDR/The Drama Review
Author: Christopher Balme
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
Estimated APC paid: $3,255
Funder: Deutsche Forschungsgemeinschaft
OpenAlex ID: W4378803679