Year: 1998
Type: article
Abstract: In other words, the comparison of two books that are totally unrelated, except for a common denominator of their respective titles, beyond which, thanks to an eloquent alternative, two irreconcilable approaches to Surrealism emerge: on the one hand, an historical fresco (Dorozoi), on the other, the exploration of experimental terrain (Fleig). After thirty years of discussion about the death of Surrealism, Durozoi begins to draw up an assessment of what was done rather than the results. In th...
Source: Critique d’art
Authors: Catherine Vasseur, Simon Pleasance
Language: French
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W4385380843