Quod mentem moneat: Monuments and memory in Bernardo Bertolucci’s The Conformist (1970)
Year: 2024
Type: article
Source: Classical Receptions Journal
DOI: 10.1093/crj/clae010
Author: Genevieve S Gessert
Institution: American University of Rome
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: closed
OpenAlex ID: W4402947009