Reconstruction of Gender Roles and Female Self-Identity: A Case Study of the Film Kill Bill
Year: 2024
Type: article
Abstract: Quentin Tarantino's Kill Bill was released in North America in 2003. The storyline is relatively simple, revolving around Beatrix, a former professional assassin in the underworld, who, upon discovering her pregnancy, decides to abandon her past life of violence and bloodshed and settle down as the owner of a video store. Bill, her former lover and boss, dissatisfied with Beatrix's silent withdrawal from the "Vipers" organization, leads his criminal associates to massacre the wedding rehearsal, leaving no one alive except the protagonist. After miraculously surviving and lying in a hospital for four years, Beatrix embarks on a journey to exact revenge on her enemies. Undoubtedly, Kill Bill is often labeled as a revenge-driven and violent Hollywood film. However, beyond its violent exterior, the film reveals deeper feminist perspectives: it challenges traditional male authority, reflects women's resistance to the constraints on personal and emotional freedom, and highlights the awakening of modern female consciousness.
Source: Advances in Humanities Research
Author: Tianzi Zhang
Institution: Hebei Finance University
Language: English
Topic: Gender, Feminism, and Media
Subfield: Gender Studies
Field: Social Sciences
Domain: Social Sciences
SDG: Gender equality
Open Access status: hybrid
OpenAlex ID: W4403356507