Year: 2024
Type: article
Abstract: The presence of statues in two of d’Annunzio’s tragedies (La Gioconda and La figlia di Jorio) will be analysed, proposing a comparison between examples of ‘living statues’ from ancient times and the late nineteenth‐early twentieth century period. In the second part, reference will be made to the scientist culture of the late nineteenth century. Here, we will make use of a theory according to which they could be two fetishes that direct the flow of thoughts of the protagonists against their opponents.
Source: Archivio d’Annunzio
Author: Mauro Canova
Institution: Istituto Italiano per l'Africa e l'Oriente
Language: English
Subfield: General Arts and Humanities
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4403491808