Year: 2024
Type: article
Abstract: This paper examines Morrison's representation of black female laughter in Jazz from the perspective of sound cultural studies.Despite a non-voice, black female laughter is a central sound that Morrison gives a multifaceted representation throughout Jazz.Despite primarily as a private sound from the rural south, black female laughter gradually evolves into a public, modern sound in the black urban life.In a sense, it becomes a sound that is both private and public, natural and cultural, traditional and modern--a sound which transcends boundaries in time and space, as well as those in race, gender, and class.
Author: LI Mingjiao
Language: English
Topic: Sound Studies and Aurality
Subfield: Experimental and Cognitive Psychology
Field: Psychology
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4405122656