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Deterritorializing Theatre: Habima and the Making of the Modern Stage Language

Year: 2024
Type: article
Abstract: The history of the Habima theatre, the first Hebrew language company in the world, spans over at least three territories: Russia (soon to become the Soviet Union), United States, and Mandatory Palestine (on the place of the future state of Israel). Coming from Central- Eastern Europe to Russia, accepted as one of the four studios of Stanislavsky’s MAT (Moscow Art Theatre), the migrant troupe will set on a famous world tour in 1926, before reaching Jaffa. Its director Yevgeny Vakhtangov connected the troupe, involved in the project of representing the old Jewish tradition, to the avant-garde and developed a new rhetoric, forging what will be later called the “theatrical theatre”. The new poetics, apt to cross language barriers, will become a stylistic signature in the representation of Jewish Holocaust, migration trauma, and deterritorialization to a worldwide audience.
Language: English
Open Access status: diamond
OpenAlex ID: W4405407882
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