Year: 2024
Type: article
Abstract: Emmanuel Levinas is widely known for his polemical stance towards art. Especially in his earlier writings in the 1940s, he famously calls into question its ethical potential. In this article, I analyse some of Levinas’s early writings in order to answer the following questions: How does Levinas understand the nature of art, and how does this understanding allow him to criticise it, often in harsh terms? I turn to Hans-Georg Gadamer’s concept of aesthetic consciousness, which I argue shares similarities with Levinas’s stance on art. I argue that re evaluating Levinas’s stance allows one to tackle topical issues of aesthetics from the viewpoint of his ethical philosophy. Through showing how Levinas’s aesthetic consciousness hinges on a problematic relationship between conceptual truth and art, and through emphasising the role of criticism, I suggest that Levinas’s thought can be utilised in approaching contemporary questions of the autonomy of art and aesthetics.
Source: The Nordic Journal of Aesthetics
Author: Jussi Pentikäinen
Language: English
Subfield: Philosophy
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4405584036