Year: 2024
Type: article
Abstract: The article provides an overview of videopoetry as a fusion of art and technology, adopting a neo-medieval perspective (U. Eco). It discusses the genre’s genesis, going back to the roots of changes in the perception and recording of poetry. The article also presents two important manifestos: I. Cottage (film poetry) and T. Konyves (videopoetry). Variant approaches to understanding videopoetry are cited, as well as critiques of Konyves’ manifesto (S. Tremlett, D. Kujawa, M. Pfeiler). The article concludes with a proposal for the use of autoethnography as an interdisciplinary research method in relation to videopoetry.
Author: Justyna Gorzkowicz
Institution: Polish University Abroad
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
Funder: Arts Council England
OpenAlex ID: W4405698523