East Wind Breaks: Identification of Zhongguofeng Music as a Form of “Chinese Crossover” and “Hybrid Thinking” in Contemporary Mandopop
Year: 2024
Type: article
Abstract: Since 2000, the phenomenal rise of Jay Chou, an iconic pop artist from Taiwan, has evoked discussions on Mandopop scene. This study aims to conduct a micro-analysis of selected music samples from Chou between 2000 and 2010 in order to identify Zhongguofeng music, which employs Phillip Tagg’s music analysis theory. The findings find out that Chou’s musical works demonstrate substantial Chinese elements in terms of lyrics, melody, and music cultural references. In addition, they reflect diversified musical styles, infusing Chinese-style hybridity into popular music. As a result, these musical works have formed a unique Zhongguofeng music standard that could play a defining role in contemporary Mandopop. It is anticipated that a discourse with a specific analytical setting could be established in this study. It can offer an insight into how the framework of hybridity in contemporary Mandopop is used to overcome the borders of genres, geopolitics, narratives, and negotiation of cultural identity between the “local” and the “global.”
Authors: Li Fan, Chow Ow Wei, Lee Yok Fee, Mastura Mahamed, Connie Lim Keh Nie
Institutions: Universiti Putra Malaysia, Universiti Malaysia Sarawak
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: gold
Estimated APC paid: $200
OpenAlex ID: W4405752040