Year: 2024
Type: article
Abstract: This article takes different viewing experiences inspired by ”poor things” in Chinese and western contexts as the starting point, by analyzing the core issue ”body liberation”, as well as taking the western viewing experiences as comparing objects, the article seeks to clarify the significance of the film criticism from three perspectives of the Chinese audience. Building upon this, it further explores historic context to understand the production and circulation of feminist consciousness in contemporary China, then uncovers the new challenge and dilemma that Chinese women are facing.
DOI: 10.54097/jhw8za20
Author: Yanyang Gou
Institution: Nankai University
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
SDG: Gender equality
Open Access status: diamond
OpenAlex ID: W4405842591