Year: 2024
Type: article
Abstract: A decade on from its founding, it is the right time to take stock and consider the manner of Performance Philosophy’s constitution and its projection into and onto the world. There are questions about how it narrates itself, both inwardly to its network (though the global reach of Performance Philosophy suggests that ‘inward’ is not the right word here) and outwardly towards interlocutors nominally outside the network. One challenge concerns the “performative materialisation” of Performance Philosophy’s many practitioners. This can be unpacked with a few questions: Who witnesses events? Who intervenes materially? Who contributes to the network? Whose collaboration increases social capital? Who evaluates practitioners’ self-management? Other questions are possible. This essay considers some of these questions.
Source: Performance Philosophy
Author: Anthony Gritten
Institution: Royal Academy of Music
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4405910802