Year: 2024
Type: article
Abstract: This article explores the contested concept of authenticity within cultural heritage studies, focusing on the Norwegian extreme metal scene's use and portrayal of Norse heritage. Through a case study of the Midgardsblot festival and interviews with key figures in the scene, it engages with debates on the relevance and understanding of authenticity, framed by the concept of an "Authorized Heritage Discourse" as defined by Laurajane Smith. The study reveals that the metal scene, often dismissed as entertainment, is a significant cultural heritage actor. Musicians and events like Midgardsblot emphasize academic research and serious engagement with their subjects, thus paralleling the approach of academic researchers. This challenges the notion that only academics can credibly participate in these debates. The metal scene's broad reach and emphasis on relevance demonstrate that engaging the public may be as important as traditional authenticity. By fostering individual connections through selective and engaging presentations, the metal scene offers valuable insights and helps keep cultural heritage vibrant through a form of heritage co-creation. Consequently, it should be recognized as a crucial contributor to the discourse on authenticity.
Source: Primitive Tider
DOI: 10.5617/pt.11785
Author: Solveig Isaksen
Institution: University of Oslo
Language: English
Subfield: Archeology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4405924101