Year: 2024
Type: article
Abstract: Taiwanese Indigenous youths utilize social media to assert Indigeneity. However, while egalitarian technologies provide a platform for self-representation, fetishism and multiculturalism might misrepresent their Indigeneity. This study focuses on Ponay’s covers of Mando-pop songs on YouTube to reclaim Indigenous popular music history and challenge Han-centric aesthetics and heteronormativity.
Source: Musicological Annual
Author: Chun Chia Tai
Institution: University of California, Riverside
Language: English
Topic: Music History and Culture
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4405946746