Year: 2024
Type: article
Abstract: In my text, I will look more closely at the way in which Hölderlin transforms Kant’s ideas into his own philosophical-aesthetic programme and poetic inspirations. I focus mainly on two kinds of transitions: how the intellectual intuition becomes an aesthetic perspective, and how the identical idea of selfhood, kept alive in the chiasmus of reality/truth and possibility, is transplanted into a trope. What is really exciting is the way the lyrical self becomes the figure of the meaningless sign, or more precisely “a sign”. In his philosophical fragments, Hölderlin is confronted with the Kantian–Reinholdian–Fichtean heritage with great intensity, and I suspect that this experience does not pass away without a trace in him as a poet, and I would like to cite the second version of Mnemosyne as an example of this.
Source: Kellék Filozófiai folyóirat
Authors: Debreceni Egyetem Bölcsészettudományi Karának Filozófia Intézete, Tamás Valastyán
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W4407188989