Year: 2024
Type: article
Abstract: In his operas, Mozart followed contemporary practice by using the clarinet to set the mood for amorous scenes, but he adapted this into a new kind of topic that dramatises his characters’ changing self-knowledge and growing enlightenment. In so doing, he emphasised both their recognition of their true feelings and the political and moral implications for their subsequent actions. This is exemplified in La clemenza di Tito, in which a clarinet (or basset horn) serves as an important soloistic voice whose dialogue with the protagonist illuminates their inner struggles with conflicting emotional, social and political realities as they move towards new understanding.
Source: Cambridge Opera Journal
Author: Peter Pesic
Institution: Museum of New Mexico
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
Estimated APC paid: $3,450
OpenAlex ID: W4407379435