Lost in translation? Jáchym Topol’s The Devil’s Workshop and its local and transnational reader
Year: 2025
Type: article
Abstract: Jáchym Topol, who is a Czech writer and poet, has several times emphasized that he does not care about his readers, especially foreign ones who get to read translated versions of his work, as it is not his job to be understood. With the rise of transnational WWII-related literature in the Czech Republic in the last two decades, I explore how his novel The Devil’s Workshop has become an important work in the realm of transnational literature, despite Topol’s peculiar writing style and stance towards his international readers. In my analysis, I explore Topol’s writing style, the novel’s socio-historical context through the concept of difficult heritage and the juxtaposition of Czech and Belarusian WWII narratives, as well as the novel’s local and international reception.
Source: Open Research Europe
Author: Bernadette Ščasná
Institution: Tallinn University
Language: English
Subfield: Anthropology
Field: Social Sciences
Domain: Social Sciences
Open Access status: gold
Estimated APC paid: $841
OpenAlex ID: W4407409281
