The Eye and the Flesh: Céline, Bataille, and the Fascination with Death
Year: 2025
Type: article
Abstract: This paper argues that Louis-Ferdinand Céline and Georges Bataille use voyeurism as a transgressive mechanism to confront death through the female body, a paradoxical site of life and decay. Though Céline’s clinical, disenchanted gaze contrasts with Bataille’s erotic, metaphysical quest, both employ the act of seeing to reveal death’s presence within vitality. In Céline’s works, voyeurism shifts from erotic curiosity to cold observation, framing the female body as a sterile emblem of mortality. In Bataille’s, it becomes participatory, merging ecstasy with dissolution in a sacred yet destructive form. Drawing on Freud and Sodom motifs, this study shows how their gazes transform the female body into a lens for existential finitude, challenging life–death boundaries in 20th-century French literature.
Source: Humanities
DOI: 10.3390/h14040070
Author: Alexis Louis Chauchois
Institution: Mercer University
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: gold
Estimated APC paid: $1,689
OpenAlex ID: W4408831901