Year: 2003
Type: article
Abstract: In this article we intend to identify the ideals of intonation in the eighteenth century, when the Italian castrati dominated vocal practice and pedagogy. We will note that these ideals interfered in musical performance practice, in particular, when dealing with the performance of appoggiaturas, portamentos and musical ornamentations which involved sound “frequency fluctuations”.
Source: Per Musi
Authors: Alberto Pacheco, Adriana Giarola Kayama
Institution: Universidade Estadual de Campinas (UNICAMP)
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4409350263