Year: 2025
Type: article
Abstract: This essay examines an alternative to dominant postwar notions of subjectivity in the Japanese cultural sphere through an analysis of Miura Ayako’s mid-1960s novels: Hyōten (Freezing Point, 1964), Hitsujigaoka (Hill of Sheep, 1965), and Shiokari tōge (Shiokari Pass, 1966). It argues that Miura’s depictions of sin and self-sacrifice serve as metaphors that critique prevailing ideas of subjectivity. Her doubly minoritized position as a female writer and a Christian significantly shapes this counternarrative while simultaneously complicating its construction and expression. Drawing on Iida Yūko’s conception of ōtōsei (responsiveness) and hidokusei (being read), the essay examines the discursive stakes of Miura’s fiction. Her work debunks the myth of self-contained individuals and presents the self neither as an idealized autonomous agent nor as doomed to a precarious existence, but as relational, inherently engaged in efforts toward reconciliation with others. This counter-vision unfolds in her novels through metaphors of sin and self-sacrifice, framed within the popular domestic novel form of the 1960s.
Source: Japanese Language and Literature
DOI: 10.5195/jll.2025.303
Author: Ryota Sakurai
Institution: International Christian University
Language: English
Topic: Japanese History and Culture
Subfield: Cultural Studies
Field: Social Sciences
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4409595396