Year: 2025
Type: article
Abstract: From the late sixteenth century into the early eighteenth, the Southern Low Countries constituted one of the most important regions for artistic production and exchange in Europe. This essay reveals the understudied roles of women in the flourishing of that visual culture. I argue that this topic must be approached with a solid understanding of the gendered property laws and practices that shaped both how women used their wealth to finance art and architecture, and the sources through which we access that activity.
Source: Early Modern Low Countries
DOI: 10.51750/emlc23024
Author: Sarah Joan Moran
Language: English
Subfield: Conservation
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4409822819
