Year: 2025
Type: book-review
Abstract: By Bodil Marie Stavning Thomsen. Amanda Doxtater’s Visions and Victims redefines Carl Th. Dreyer’s films as “art melodrama,” revealing their emotional depth, corporeal spectacle, and affective power through close readings and archival research.
Source: Scandinavica
Author: Bodil Marie Stavning Thomsen
Institution: Aarhus University
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4410209096