Year: 2025
Type: article
Abstract: In 19th-century Europe, clothing functioned as a dynamic social language that articulated intricate hierarchies of status, age, and cultural belonging. This study examines Budapests transformation into a sartorial laboratory where emerging nationalism collided with Western sartorial trends. From the first half of the 19th century, the rapid development of fashion and related industries in the Hungarian capital was driven not only by technological innovations in European textile production but also by the proliferation of fashion magazines and the dissemination of sartorial trends. Hungarian elite women played a pivotal role in shaping these developments, as middle-class women actively emulated their attireobserved at court balls, horse races, and other public eventsthrough fashion media. Building on these developments, this study analyzes the dress codes associated with 19th-century social rituals and highlights the emergence of Hungarian ceremonial dress as a sartorial expression of national consciousness. Prior to the Austro-Hungarian Compromise of 1867particularly between the 1830s and 1860sthis form of attire functioned as a visual symbol of Hungarian national identity and cultural resistance among the countrys upper and middle classes. By reconstructing the clothing practices and social etiquette of upper-class Hungarian women, the study demonstrates how fashion became a contested terrain where personal aspirations, national identity, and European modernity were perpetually negotiated. These findings provide new insights into the interplay of cultural politics and material culture in Central Europes historical trajectory.
Author: Ying Zhang
Institution: Communication University of China
Language: English
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4410349902