The temporal in-betweenness of Caroline Bergvall’s heterolingual poetics in Meddle English, Drift, and Alisoun Sings
Year: 2025
Type: article
Abstract: This article explores the formation and critical potential of contemporary French-Norwegian artist and poet Caroline Bergvall’s medieval trilogy, Meddle English (2011), Drift (2015), and Alisoun Sings (2019). In these three books, Bergvall develops a heterolingual aesthetic by creating a language that is materially composed of diachronic and dialectical variations of English, both from medieval times, and imagined futures. The result is a language that rests in a temporal in-between that reveals the foreignness of English and undermines its monolingual and exclusionary dynamics. By attending to the temporal strategies through which Bergvall elaborates her poetics, I argue that the trilogy builds alternative imaginaries of language in a progressive utopian momentum that aims to rethink both possible futures and our contemporaneity.
Source: E-rea
DOI: 10.4000/144qw
Author: Elise ANGIOI
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4411314092