Year: 2025
Type: article
Abstract: Manjula Padmanabhan’s Harvest is a futuristic dystopian play. It presents a harsh world motivated by body trade and control. The play shows how poor people sell their body parts to survive. It explores themes of exploitation, privacy, technology, and global inequality. Virgin, the foreign buyer, represents the rich world’s cold hunger. She communicates through screens and controls Om’s every move. The family lives inside a sealed, controlled room under surveillance. They are promised safety, food, and care, but lose freedom. The characters become tools under the illusion of protection. Neuralink by Elon Musk shares a similarly powerful vision. It connects human brains with computer systems directly. The goal is to cure diseases and improve memory. But it also raises questions of control and identity. Like Harvest, it uses the body for technological needs. The brain becomes a site of connection and surveillance. In both cases, the poor or weak risk losing control. Virgin in Harvest is like a controller of the mind. Neuralink, too, creates systems that can access human thoughts. Padmanabhan’s characters show the emotional cost of such control. Om becomes silent and confused over time. Ma loses her sense of security and motherhood. Jaya stands out as someone who questions the system. She resists the control and remains emotionally aware. Harvest becomes a warning about techno-futures like Neuralink. It questions what we lose when we allow control. It reminds us that safety without freedom is dangerous. Virgin is a symbol of rich tech-world dominance. Neuralink, though modern, may carry similar dangers forward. Manjula Padmanabhan’s play is not just fiction but prophecy. It connects to Neuralink’s possible misuse and ethical risks. By watching Harvest, we understand the future’s real price.
Author: S. UMAMAHESHWARI
Language: English
Subfield: Philosophy
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4412525257