Year: 2025
Type: article
Abstract: This essay posits the changes in Edvard Munch’s stylistic treatment of interiority together with his increasing use of repetition in the mid-1890s within an “avisual” framework. The text draws on the work of Akira Lippit that describes avisuality as a new rupture in visual regimes originating at the end of the nineteenth century. Tracing a trajectory of avisuality from 1895 to 1945, the conclusion suggests new ways to extend the posthumous relevance of Munch’s art into the so-called Postwar era that the artist nearly lived to see.
Source: Kunst og kultur
Author: Drew Snyder
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4415302890
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