Year: 2025
Type: article
Abstract: This article examines how artistic practices respond to the emergence of a “negative community” after a disaster, where people are bound together by displacement, abandonment, and infrastructural control rather than choice or solidarity. Drawing on fieldwork in coastal Japan following the 2011 earthquake, tsunami, and nuclear accident, this article reflects on how art can resist the reduction of catastrophe to either spectacle or state‐managed recovery. Through practices of observation, witnessing, and collective engagement, art creates vital spaces of proximity, care, and dissent. In doing so, it unsettles imposed forms of community and opens possibilities for imagining a new social life beyond the structures of ruin and control.
Source: Ocean and Society
DOI: 10.17645/oas.10817
Author: Hakan Topal
Institution: Purchase College
Language: English
Topic: Art, Politics, and Modernism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4415462425
FWCI:
Cites:
Cited by:
Related to: