Year: 2025
Type: article
Abstract: Beginning in the mid-1940s, superstar Layla Murad (1918–95) mobilized her contacts with the press and used her social capital as a respected artist to formulate and publicize her account of how her father and the entire family decided she would become a professional singer. Her accounts contradicted one another, as these three statements in 1946, 1948, and 1954, respectively.
Author: Hanan Hammad
Institution: University of Houston
Language: English
Topic: Music History and Culture
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
SDG: Gender equality
Open Access status: hybrid
Estimated APC paid: $3,550
OpenAlex ID: W4416138971
FWCI:
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