Year: 2025
Type: article
Abstract: This article focusses on three films about Robert the Bruce: The Bruce (1996), Outlaw King (2018) and Robert the Bruce (2019). By exploring connections between historians and film-makers views of the past, and how these are expressed through cinematic conventions, it goes beyond assessments of ‘accuracy’ to enable more nuanced assessments of these films as creative works of art.
Source: Review of Scottish Culture
DOI: 10.2218/rosc.11849
Author: Duncan Sneddon
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W4416623173
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