Year: 2024
Type: article
Abstract: This article uses some of the illustrations offered by Simondon in his never-sent letter to Derrida to analyse the programme of techno-aesthetics. This analysis includes not only what is meant by techno-aesthetic sensibility, but also the delayed trajectory of this correspondence in the light of Derrida's theory of performativity, of which the postal device emerges as a privileged figure. Finally, both approaches are intertwined in order to reflect on possible contributions and problematizations of performance studies today.
Author: Agustina Arrarás
Language: English
Subfield: Philosophy
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W6890097284
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