Ricomporre i frammenti.
Year: 2024
Type: article
Abstract: This article seeks to examine the role of montage in Charlotte Wells’ Aftersun (2022) in relation to the film’s need to reconstruct a visual recollection of memory. A comparison with Proust’s mémoire involontaire and its benjaminian reinterpretation will demonstrate the capacity of montage to transcend its conventional narrative function (to link the constituent elements of a narrative together as to restore its continuity) and to fully harness the potential for establishing temporal connections between images.
Source: Università degli Studi di Verona
Author: Cagelli, Francesca
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W6903732049
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