In limine. Il caso Moro, la Storia, l'immaginario
Year: 2024
Type: article
Abstract: The article examines Marco Bellocchio’s Buongiorno, notte (2003) and Esterno notte (2022), exploring the representation of Aldo Moro’s kidnapping and murder. Particular attention is given to the relationship between cinema and literary writings, through comparisons with Moro’s memorial and letters, Leonardo Sciascia’s reflections, and narrative insights from Italo Calvino. The study investigates the role of representation in shaping historical understanding and collective memory.
Author: Marmoreo, Carlo
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W6912071018
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