Year: 2024
Type: article
Abstract: The article offers a close reading of David Lynch’s Twin Peaks: Fire Walk with Me (1992), examining the formal and thematic strategies of manipulation of its protagonist, Laura Palmer, and questioning the possibility of a complete perspective reversal through a transmedial expansion. While the tv show Twin Peaks (1990-91) focused on Laura Palmer’s virtual presence as the object of desire, the prequel turns her into a protagonist whose identity is still ultimately elusive. Drawing on insights from cognitive and transmedial narratology, I propose the concept of ‘transmedial gap’ to denote the structural void created by the expansion across media. Finally, I explore the constant interplay of formal and thematic mysteries as a reflection of Laura’s unreadable mind.
Author: D'Amato, Gabriele
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W6922340909
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