Year: 2025
Type: article
Abstract: This article offers a new reading of the première of Stanisław Wyspiański’s Warszawianka, which took place on 26 November 1898, and examines the ocular-centric processes of memory related to the performance. Focusing on two central motifs from the play and its staging – the song La Varsovienne and the image of the Empire-style salon – the author proposes their integration within the concept of sound-based scenography. The discussion draws on a detailed analysis of the play and contemporary reviews, while also engaging with the scholarly history of Warszawianka’s reception and current research into theatre and sound.
DOI: 10.34762/qs4c-0t17
Author: JARZABEK-WASYL, DOROTA
Institution: Jagiellonian University
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W6946706969
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