Year: 2025
Type: article
Abstract: The attention paid in the 1960s to unknown figurations of “end of the world” led De Martino to the heart of the confrontation between “pathological art” and “modern art”, which focused on surrealism in France after the Second World War. In what way would this detour by a marginal object of psychopathology be necessary to think, as an anthropologist, the singularity of a new visual culture?
Source: Comparative studies in modernism
Author: Charuty, Giordana
Institution: École Pratique des Hautes Études
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W6959895791
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