Indigenous Identity and Hybridization in Painting: A Critical Review
Year: 2025
Type: article
Abstract: The preservation of indigenous identity in African painting faces major challenges in the context of globalization and cultural hybridization. As contemporary African artists navigate a rapidly evolving artistic landscape, the merging of traditional artistic expressions with external influences raises critical questions about authenticity and originality. This article critically examines the interplay between indigenous identity and hybridization, emphasizing how these dynamics redefine artistic practices and cultural narratives. Indigenous identity, deeply rooted in cultural heritage and symbolism, is at risk of dilution as artists incorporate global influences into their work. The review highlights various scholarly perspectives on the tension between modernity and tradition, exploring how African artists adapt their practices while striving to maintain connections to their cultural roots. Ultimately, this analysis underscores the importance of preserving indigenous identity amidst hybridization, advocating for a balance that credits traditional practices while embracing innovative expressions.
Authors: AHMED, Muktar, Dr. Wango, Dr. Kamau, Dr. George, Vikiru
Institution: Kenyatta University
Language: English
Topic: Art, Politics, and Modernism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W7083673663
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