En plein air filmmaking
Year: 2025
Type: article
Abstract: This article analyzes Louis Lumière's early film "Boat leaving the port" through two lenses: Adorno's reflections on the concepts of natural beauty and artistic beauty, and Ingold's idea of "correspondence". Drawing on early film experiments, it explores the film set as a space where key aesthetic dynamics emerge.
Source: Università degli Studi di Verona
Author: Cerulli, Vincenzo
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W7108214816
FWCI:
Cites:
Cited by:
Related to: