Year: 2025
Type: article
Abstract: Woodcarving motifs in traditional Malay houses transcend mere ornamentation, serving as cultural signifiers that express identity, belief systems, and a deep connection with the natural environment. In Perak, the Rumah Limas Bumbung Perak (RLBP) exemplifies this tradition through intricately carved fascia boards, wall panels, ventilation screens, and door heads. This study examines the typology, symbolism, and cultural significance of these motifs through qualitative field research on six RLBP case studies selected for their authenticity and preservation of original carvings, using non-intrusive observation, high-resolution photography, and scaled drawings. Findings show that floral and lattice motifs dominate, often arranged in Awan Larat compositions that combine aesthetic refinement with symbolic meaning rooted in Islamic philosophy and Malay cultural values. The absence of figurative motifs reflects adherence to Islamic artistic principles, while the prominence of floral forms underscores the community’s reliance on and reverence for nature. Motifs are deliberately selected to convey auspiciousness, social standing, and spiritual reminders, linking craftsmanship to intangible cultural narratives. This study contributes to the body of knowledge by documenting and analysing a lesser-studied regional variation of Malay woodcarving, offering valuable reference material for heritage conservation, restoration projects, and the sustainable integration of traditional motifs into contemporary architecture.
Source: Idealogy Journal
Authors: Iryani Abdul Halim Choo, Nazrul Helmy Jamaludin, Mohd Sabrizaa Abdul Rashid
Institution: Universiti Teknologi MARA
Language: English
Subfield: Archeology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W7111136129
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