Theaters of Sound: : listening, immersion, strangeness
Year: 2024
Type: article
Abstract: In the Theaters of sound, sound stages: sonority and visuality are in solidarity. The article develops in this field, in a theoretical and poetic mode, according to an axis that problematizes the concepts of immersion and strangeness, articulated with presence and absence. The essay is driven by conceptual prospecting, considerations on the anatomical incision of sound, on the relations between scene and technology, and a series of listening gestures, in dialogue with theatrical poetics, such as: Elettra, by Hugo von Hofmannsthal, with sound by Hubert Westkemper (2004); Ouverture Alcina, by Nevio Spadoni, with Ermanna Montanari and music by Luigi Ceccarelli (2009); Not I / Eu Não, by Samuel Beckett, with Maria Alice Vergueiro (1986) and Eislermaterial, directed by Heiner Goebbels (1998).
Author: Martins, Jose Batista Dal Farra
Institution: Universidade de São Paulo
Language: English
Topic: Sound Studies and Aurality
Subfield: Experimental and Cognitive Psychology
Field: Psychology
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W7120327488
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