Year: 2026
Type: article
Abstract: This article investigates core professional and philosophical tensions within contemporary craftsmanship through a critically framed interview with Anna Wagner, an Austrian luthier. By situating lutherie within a theoretical framework that engages Richard Sennett’s humanist praxis, David Pye’s “workmanship of risk,” and Tim Ingold’s concept of material “correspondence,” the study explores the teleology of artisanal practice amidst technological proliferation. The dialogue reveals a definition of mastery grounded in holistic process-comprehension and ethical restraint—specifically through the “less is more” axiom in restoration. The article argues that the luthier’s work serves as a cultural intermediary, preserving the “soul” of historical instruments through embodied, non-replicable expertise that resists the accelerated logic of digital production. It concludes by identifying systemic challenges for material culture, particularly the validation of qualitative value and the pedagogy of tacit knowledge transfer in a market-driven environment. Acknowledgements:I express my profound gratitude to Mag. Christina Pulker, a dedicated Austrian music pedagogue and cellist from Vienna, for her invaluable collaboration. Her assistance was essential in securing the interview opportunity and in the subsequent transcription and translation of the dialogue from German and English.
Source: Journal of Arts and Humanities
Authors: Chen, Mei-Hsin, Chen, Mei-Hsin
Institution: Universidad de Navarra
Language: English
Topic: Crafts, Textile, and Design
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W7125790825
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