Work

The Use of Maqam Vocal Paths in R. Glier and T. Sodiqov's Opera "layli and Majnun"

Year: 2026

Type: article

Abstract: This article presents a full analytical study of the artistic and dramaturgical role of maqam vocal paths in the opera “Layli and Majnun” by R. Glier and T. Sodiqov. The research explores the mechanisms of adapting maqam modal–intonational structures to operatic form, including quotation, model-intonation, reduction, redistribution of climactic points, and orchestral reinforcement. Special attention is given to character representation and the synthesis of national and European musical traditions.

Source: Zenodo (CERN European Organization for Nuclear Research)

DOI: 10.5281/zenodo.18434785

Author: Rajabiy, Durdona

Institution: Uzbekistan National Institute of Musical Art named after Yunus Rajabi

Language: English

Topic: Musicology and Musical Analysis

Subfield: Music

Field: Arts and Humanities

Domain: Social Sciences

Open Access status: green

OpenAlex ID: W7126173447

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