Anatomizing Hiroshima mon amour (1959): Deleuze’s Cinematic Fossil as an Instrument of Human Rights Advocacy
Year: 2025
Type: article
Source: Film Matters
DOI: 10.1386/fm_00404_1
Author: Vernita Zhai
Language: English
Topic: Ethics, Aesthetics, and Art
Subfield: Philosophy
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: closed
OpenAlex ID: W7128520826