Year: 2026
Type: dissertation
Study design: Observational Study
Abstract: This research aims to explore the current state of Indigenous representation, collaboration, and decolonization in Canadian museums. Using surveys and semi-structured interviews with Canadian museum professionals, and observational data from four museums each in Ontario and the Yukon, I explore Indigenous collaboration and Indigenous representation in exhibit curation. ANOVA and Spearman's correlations were conducted, in addition to a thematic analysis of qualitative and observational data. Findings demonstrate a positive correlation between the frequency that participants worked with Indigenous objects, and the frequency of Indigenous consultation and involvement in curation. Congruent with the existing literature, themes emerged around accurate and contemporary representation, actions for decolonizing museums, and barriers to Indigenous involvement. Overall, this thesis demonstrates continuing improvement in Indigenous representation and collaboration in museums. Despite barriers, Canadian museum professionals actively seek to involve Indigenous people and enact a decolonizing museum practice. Recommendations for institutions, policy, and future research are provided.
Author: Barber, Brooklyn
Language: English
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
SDG: Reduced inequalities
Open Access status: green
OpenAlex ID: W7202008230