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From Christo and Jeanne-claude to Refik Anadol: the Use of Space in Art and the Allegory of Wrapping

Year: 2026
Type: article
Abstract: The incorporation of space into art dates back to the 1960s with the emergence of installation art. Although initially regarded as an exhibition format, installation later evolved into an independent art form with its own scope. Installation art presents space as a work of art, transforming its physical perception and offering viewers different experiences. Accordingly, this study focuses on the physical wrappings of space by Christo and Jeanne-Claude and the digital wrappings created by Refik Anadol. The act of “wrapping” is examined in relation to the transformation of architecturally significant structures into works of art. The study comparatively analyzes how the installations created by both artists, using different techniques and methods across different periods, reshape space artistically. The aim of this study is to comparatively examine how the works presented by both artists, who produced their installations in different periods using various techniques and methods, reconsider space artistically. Their interventions in space were evaluated from technical, methodological, aesthetic, and philosophical perspectives, and the findings were analyzed comparatively. Data were collected through a literature review and analyzed using a descriptive approach. By comparing the spatial wrappings of Christo and Jeanne-Claude and Refik Anadol in terms of technique, method, form, and shape, the study aims to contribute to a field that has received limited comparative attention. The findings reveal that, despite employing different techniques and methods, both artists transform the visual perception of space and establish new relationships between art and space while conveying distinct conceptual ideas to the viewer.
Language: Turkish
Open Access status: gold
Estimated APC paid: $39
OpenAlex ID: W7215054318
FWCI:
Cites: 10
Cited by:
Related to: 10