Year: 2026
Type: article
Abstract: This essay explores how color functions as a structural, chromatic language in the horror films Smile (2022), A Different Man (2024), and Rosemary’s Baby (1968), revealing instability across the mind, body, and soul. Through the process of breakdown, blending, and layering, these films demonstrate that color does not simply symbolize meaning but makes visible the shifting and unstable conditions that shape fears regarding identity, perception, and belief.
Author: Smith, Katelynn A.
Institution: University of North Florida
Language: English
Subfield: Cultural Studies
Field: Social Sciences
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W7225839050
