Work

“Let me see you dance:” Ada “Bricktop” Smith, the Charleston, and Racial Commodification in Interwar France

Year: 2015

Type: article

Source: Journal of dramatic theory and criticism

DOI: 10.1353/dtc.2015.0005

Author: Matthew McMahan

Language: English

Topic: Theater, Performance, and Music History

Subfield: Music

Field: Arts and Humanities

Domain: Social Sciences

Open Access status: closed

OpenAlex ID: W985538808

FWCI:

Cites: 16

Cited by: 26

Related to: 10