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David H. Solkin
Observed names:
D. H. SOLKIN,
David Solkin,
Solkin, David H.,
Solkin, David H. 1951-
Observed institutions:
Courtauld Institute of Art,
University of British Columbia,
Yale University
OpenAlex ID:
A5000636844
Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.
1994
·
Rose Marie San Juan
, David H. Solkin
·
The American Historical Review
·
180
Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
67
Richard Wilson: The Landscape of Reaction
1982
·
David H. Solkin
·
38
Modernism and Modernity: the Vancouver Conference Papers
2004
·
Benjamin H. D. Buchloh
, David H. Solkin
, et al.
·
32
Joseph Wright of Derby and the Sublime Art of Labor
2003
·
David H. Solkin
·
Representations
·
22
Great Pictures or Great Men? Reynolds, Male Portraiture, and the Power of Art
1986
·
D. H. SOLKIN
·
Oxford Art Journal
·
21
9. Landscape-O-Rama: The Exhibition Landscape at Somerset House and the Rise of Popular Landscape Entertainments
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
15
This Great Mart of Genius
2001
·
David H. Solkin
·
5
11. Crowds and Connoisseurs: Looking at Genre Painting at Somerset House
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
5
‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’,
1995
·
David H. Solkin
·
5
Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-Century England
1996
·
David H. Solkin
·
The Art Bulletin
·
4
Portraiture in Motion: Edward Penny's "Marquis of Granby" and the Creation of a Public for English Art
1986
·
David H. Solkin
·
Huntington Library Quarterly
·
4
15. Printmakers and the Royal Academy Exhibitions 1780–1836
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
3
3. A Shilling Well Laid Out’: The Royal Academy’s Early Public
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
3
13. Watercolourists and Watercolours at the Royal Academy 1780–1836
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
3
Isaac Fuller's Escape of Charles II: A Restoration Tragicomedy
1999
·
David H. Solkin
·
Journal of the Warburg and Courtauld Institutes
·
3
Art in Britain 1660-1815
2015
·
David H. Solkin
·
2
Turner and the Masters
2009
·
David H. Solkin
, J. M. W. Turner
·
2
7. ‘Portrait! Portrait!! Portrait!!!’
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
2
16. Foreign Exhibitors and the British School at the Royal Academy 1768–1823
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
2
4. ‘Stare Cases’: Engendering the Public’s Two Bodies at the Royal Academy of Arts
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
2
6. The Sublime as Spectacle: The Transformation of Ideal Art at Somerset House
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
2
12. Art in the Dark: Viewing and Exhibiting Sculpture at Somerset House
2001
·
Solkin, David H.
·
Paul Mellon Centre eBooks
·
2
‘Gainsborough’s Classically Virtuous Wife’
2000
·
David H. Solkin
·
2
The Best of Aubrey Beardsley
1981
·
David H. Solkin
, Kenneth Clark
·
Leonardo
·
2
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Works count:
70
Citation count:
444
H-index:
7
I10-index:
7
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