Get started
Author

Thomas Austin

Observed names: Austin, Thomas, Thomas Austin (4461388)
Observed institution: University of Sussex
ORCID: 0000-0001-5389-937X
Observed ORCID: 0000-0001-5389-937X
OpenAlex ID: A5048825224
Hollywood Hype and Audiences: Selling and Watching Popular Film in the 1990s
2002 · Thomas Austin · 50
Rethinking Documentary: New Perspectives And Practices
2008 · Thomas Austin, Wilma de Jong · Figshare · 49
From Antz to Titanic: Reinventing Film Analysis
2000 · Martin Barker, Thomas Austin · 42
Watching the World: Screen Documentary and Audiences
2008 · Thomas Austin · 35
Desperate to see it: straight men watching Basic Instinct
1999 · Thomas Austin · Figshare · 6
Benefaction, processing, exclusion: documentary representations of refugees and migrants in Fortress Europe
2019 · Thomas Austin · Studies in European Cinema · 5
Interiority, identity and the limits of knowledge in documentary film
2016 · Thomas Austin · Screen · 5
PDF
Seeing, feeling, knowing: a case study of audience perspectives on screen documentary
2005 · Thomas Austin · Sussex Research Online (University of Sussex) · 5
Men in suits: costume, performance and masculinity in the Batman films
2003 · Thomas Austin · Figshare · 5
Connections / disconnections: on Alice Diop’s Nous
2023 · Thomas Austin · French Screen Studies · 3
PDF
'...to leave the confinements of his humanness': Authorial voice, death and constructions of nature in Werner Herzog's 'Grizzly Man'
2008 · Thomas Austin · Figshare · 3
The mists of time: Control, chaos and irreversibility in The Fog of War
2012 · Thomas Austin · Studies in Documentary Film · 2
Figures in a landscape: work and beauty insleep furiously
2011 · Thomas Austin · New Review of Film and Television Studies · 2
Damaged bodies in documentary: Black Sun and Murderball
2010 · Thomas Austin · Studies in Documentary Film · 2
‘ Gone with the Wind Plus Fangs’: Genre, Taste and Distinction in the Assembly, Marketing and Reception of Bram Stoker’s Dracula
2002 · Thomas Austin, Thomas Austin · 2
Bodies, care and power in La Permanence
2024 · Thomas Austin · French Screen Studies · 1
PDF
Concerning Violence: Fanon, Africa and temporality
2023 · Thomas Austin · Journal of Scandinavian Cinema · 1
Sunset (Napszállta) and the politics of the period film
2021 · Thomas Austin · Studies in European Cinema · 1
PDF
Boy with flag and Black British experience in Akomfrah's Handsworth songs and McQueen's Red, white and blue
2021 · Thomas Austin · Sussex Research Online (University of Sussex) · 1
Unmasked: Notes on Joan de la Malla’s “The Sad Clown”
2019 · Thomas Austin · Photography and Culture · 1
Temporality in Kaurismäki: Anachronism, Allusion, Tableau
2018 · Thomas Austin · 1
Temporal vertigo: an interview with John Akomfrah
2016 · Thomas Austin · Figshare · 1
You want to know that, this is real, this is what happened: an interview with John Smithson
2008 · Wilma de Jong, Thomas Austin · Figshare · 1
'Gone with the wind' plus fangs: the assembly, marketing and reception of Bram Stoker's 'Dracula'
1999 · Thomas Austin · Figshare · 1
Black and white in colour: looking across race in Spike Lee’s Clockers and Summer of Sam
2025 · Thomas Austin · New Review of Film and Television Studies
Works count: 67
Citation count: 227
H-index: 5
I10-index: 4
Year
Topic
Type