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Luke White
Observed name:
White, Luke
Observed institution:
Middlesex University London
ORCID:
0000-0002-7080-7243
Observed ORCID:
0000-0002-7080-7243
OpenAlex ID:
A5081409262
Carnival of the drunken master: the politics of the Kung Fu comedic body
2018
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
·
14
The Sublime Now
2009
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Luke White
, Claire Pajaczkowska
·
Middlesex University Research Repository (Middlesex University Of London)
·
7
PDF
Damien Hirst's diamond skull and the capitalist sublime
2009
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
·
5
PDF
Damien Hirst’s shark: nature, capitalism and the sublime.
2010
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
·
3
Damien Hirst and the legacy of the sublime in contemporary art and culture
2009
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
·
3
Crippled Warriors
2022
·
Luke White
·
Routledge eBooks
·
2
A ‘narrow world, strewn withprohibitions’: Chang Cheh’sThe Assassin and the 1967Hong Kong riots
2015
·
Luke White
·
Asian Cinema
·
2
Lau Kar-leung with Walter Benjamin: Storytelling, Authenticity, Film Performance and Martial Arts Pedagogy
2014
·
Luke White
·
JOMEC Journal
·
1
PDF
Nature, the metropolis and the apocalyptic sublime
2012
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
·
1
PDF
Sammo Hung: The Kung Fu Comic’s Sublime Body
2024
·
Luke White
·
Bloomsbury Publishing Plc eBooks
CHAPTER 5. Masculinity
2020
·
Luke White
·
University of Hawaii Press eBooks
Legacies of the Drunken Master
2020
·
Luke White
·
University of Hawaii Press eBooks
Conference report: Bruce Lee’s cultural legacies
2018
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil
2018
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris
2018
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Toward an aesthetic of weightlessness: Qinggong and Wire-fu
2017
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
PDF
RoCH Fans and Legends (freee-book)
2017
·
susan pui san lok
, Alice Ming Wai Jim
, et al.
Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film
2017
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
The ethics of violence in the Kung Fu comedy
2017
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy
2017
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene
2017
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Through the window: Wing Chun as woman warrior
2015
·
susan pui san lok
, Luke White
Flogging a Dead Hirst?
2013
·
Luke White
·
Journal of Visual Culture
Damien Hirst: the capitalism sublime?
2012
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt
2012
·
Luke White
·
Middlesex University Research Repository (Middlesex University Of London)
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Works count:
34
Citation count:
38
H-index:
3
I10-index:
1
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